The slowest Portra. Fine grain, soft contrast, and natural skin tones. It is made for portraits and anything where subtlety matters.

How it behaves

It loves soft light. Overexpose slightly for creamy tones. The research says it loves overexposure and suggests rating it at 100 for extra-clean shadows. Its palette is muted and pastel-leaning, with extremely fine grain.

Questions people ask

Is Portra 160 good for portraits?

Yes. It is built for portraits, with soft contrast and natural skin tones. The research also lists weddings, studio work, and landscapes in bright light.

Should you overexpose Portra 160?

A little helps. Overexpose slightly for creamy tones, or rate it at 100 for cleaner shadows.

Is Portra 160 a vivid film?

No. Its contrast and saturation both rate low. The look is muted and pastel-leaning.

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The full set

All 24 frames, in the order they came off the rolls. Tap one to see it full screen.

Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160
Kodak Portra 160